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Adjectives and Speech Tags - Every Parent's Nightmare

1/27/2012

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Adjectives - Kill Your Darlings!
Last week I went to my daughter's school (she's studying first year secondary) where I met her English teacher, Miss X.

As a writer, I found myself biting my tongue as Miss X explained to me that students get extra credit for overwhelming their prose with adjectives and adverbs, and strewing their story dialogue with speech tags.
 
It's taken me years to get the balance right - i.e. as few adjectives and adverbs as possible in a text and as many incidents of 'said' as possible in the dialogue without it becoming monotonous.

So here's my daughter being told to pepper her work with numerous, weak adjectival occurences and to have characters expostulating, spluttering and gasping their words instead of merely saying them.

Well, when all's said and done (not 'spluttered and done' you may notice), perhaps Miss X has a point. Young people need to learn descriptive prose and a variety of ways of uttering words just to increase their vocabulary and get the mechanics of writing right. If they decide to take their writing to the next level, then that's when they can start killing their darlings.

Below are links to my two Global Short Story Competition winners, my short-listed story for the National newspaper, Abu Dhabi, and my Canterbury Tale published by Coscom Entertainment:

http://coscomentertainment.com/?p=159

http://www.globalshortstories.net/winningstoriesjuly09.pdf

http://www.globalshortstories.net/winningstoriesdec09.pdf

http://www.thenational.ae/arts-culture/short-story-a-day-for-decisiveness

Happy writing!

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The Yeti Hunters

1/17/2012

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Yeti Trouble in the Himalayas
Just got news that my story The Yeti Hunters has been selected to appear in Coscom Entertainment's Big Foot Tales anthology.

The acceptance came with an edited version of my story - and what a terrific job A.P. Fuchs, Coscom's head honcho, did! He included the occasional explanation of an edit, i.e. a POV (point of view) change, to boot.

Rather than being miffed at having my work 'corrected', I take such edits as an instructional opportunity, and have certainly learned a thing or two from APF's red pen.

Needless to say, I can't wait to see The Yet Hunters in print.

Below are links to my two Global Short Story Competition winners, my short-listed story for the National newspaper, Abu Dhabi, and my Canterbury Tale published by Coscom Entertainment:

http://coscomentertainment.com/?p=159

http://www.globalshortstories.net/winningstoriesjuly09.pdf

http://www.globalshortstories.net/winningstoriesdec09.pdf

http://www.thenational.ae/arts-culture/short-story-a-day-for-decisiveness

Happy writing!

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Five-Minute Limerick!

1/10/2012

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Pear-Shaped
I was wondering yesterday what to put on this week's blog. Then I saw the prompt for one of the weekly flash fiction competitions I occasionally enter - the word was HOURGLASS.

Within five minutes I had written a limerick based on the prompt.

Where the inspiration came from, I don't know. Where the ideas came from, I don't know. Suffice to say, an original glimmer of possible rhymes for lines 1, 2 and 5 of the limerick (care, hair, stare, bare, pear, pair and fair) morphed into the poem below - I hope you enjoy it:

When Mary was youthful and fair,
at her hourglass shape men would stare.
But as middle age bloomed,
her figure was doomed,
and now she resembles a pear.

Below are links to my two Global Short Story Competition winners, my short-listed story for the National newspaper, Abu Dhabi, and my Canterbury Tale published by Coscom Entertainment:

http://coscomentertainment.com/?p=159

http://www.globalshortstories.net/winningstoriesjuly09.pdf

http://www.globalshortstories.net/winningstoriesdec09.pdf

http://www.thenational.ae/arts-culture/short-story-a-day-for-decisiveness

Happy writing!

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Rejection - How Should Writers Deal with it?

1/2/2012

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Grumpy-Faced Writer
Writers are generally a thin-skinned bunch; which doesn't bode well if (no, sorry, when) your work gets rejected by an editor or a competition judge.

My first novel manuscript, produced on a manual typewriter and containing hand-written corrections (yes, honestly!) went to a number of publishers in Zimbabwe - where I wrote the book and where it is set - before I left the country. With no feedback, I submitted the manuscript for Rumours of Ophir to UK publishers - all to no avail.

Concluding I was not destined to be a writer, I forgot all about Rumours until College Press of Zimbabwe - an imprint of Macmillan - came metaphorically knocking on my door. Suffice to say that since then Rumours has been published in German translation, the English version is currently on the 'O' level set book list in Zimbabwe, and the book gained me entry to the Crime Writers' Association.

Of course not everything I write proves so successful, but persistence in submitting is paramount. My DI WIlliamson short story Blood and Sweat, set in Zimbabwe, seemed to be set for archiving until I sent it to You magazine of South Africa. In the subject line of the email I sent to the editor, I played up the fact that the action was set in southern Africa, and Bob's your uncle, it was accepted.

Persistence was equally important with the much rejected story The Matchmaker, which was short-listed for The National newspaper's annual short story competition (under the title A Day for Decisiveness) and saw publication throughout the United Arab Emirates in The National's 'M' magazine - see below.

http://www.thenational.ae/arts-culture/short-story-a-day-for-decisiveness

On the same note, my story Harvest Season was rejected by a number of publications (probably because it was too morbid for the womag coterie) until it won the Global Short Story Competition one month. This just goes to prove that if a story isn't suitable for a particular publication's guidelines, there's no reason why you shouldn't submit it to a competition and see what a judge thinks.

http://www.globalshortstories.net/winningstoriesdec09.pdf

Last month, at our Abu Dhabi Writers' Group meeting, I gave feedback on two members' short stories and recommended possible markets for the pieces. The authors are new writers, so it remains to be seen if they have acted on my suggestions. I hope they did, but that initial fear of rejection can be difficult for someone new to the game of writing to overcome.

On a similar note, the best short story writer I've ever come across - a shy and retiring lady in England - has a morbid fear of submitting her work to an editor and thereby facing the possibility of being rejected. I've encouraged her, I've given her lists of markets, but alas, her archive of unpublished short stories must be burgeoning.

My only advice to writers is to study possible markets, send your work out to editors and competitions, and if your work comes back again, send it out as soon as possible after a further edit.

Below is a link to my book Robin Hood and Friar Tuck - Zombie Killers: A Canterbury Tale by Paul A. Freeman. This novella was commissioned by Coscom Entertainment after I submitted a short narrative poem (Payback Time) to one of their anthologies - which makes me wonder what would have happened if I was too bashful to have submitted that short narrative poem in the first place.

http://coscomentertainment.com/?p=159

Happy writing!

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    Paul A. Freeman

    Paul A. Freeman works in Abu Dhabi, in the Middle East. He lives there with his wife and youngest child.

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